"Hightailin"

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%22Hightailin'%22.jpg

"Hightailin"

18,000.00

Bronze Sculpture

by Scott Rogers

Edition Number: AP 2/3

32" x 38" x 17" (height x width x depth) 

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“HIGHTAILIN’”

Have you ever given a job to someone and spent the next hour, day or week wondering whether it would get done?

Have you ever given a job to someone and rested easy from the moment the words came out of your mouth? You knew the job would be finished ahead of time.

What type of feeling do “You” give off? This one takes some serious self- examination.

I love the subtle clues in a piece. You’ll have to hunt for a few here. The time period can be determined from the type of hat he’s wearing and by the make of the saddle. The reins are of the macate’ type (anywhere from 20 – 50 feet long). Notice the snake hide on the back of the cantle (rattlesnakes have a natural glue that adheres like iron when dried). Many cowboys would kill a snake – skin it – and stretch the hide over their cantles. Ever heard of slobber leathers off a bit? They create leverage for the reins and provide comfort for the horse. Notice the hog nosed tapederos. They will give you an idea of the type of country this cowboy is working. Ever noticed that your old timey cowboys never rode with canteens?

This is fun. I enjoy putting things in a piece that teach, reveal, and explain the who, where and why. I like to have folks own a work of mine and discover new things years after they have owned it.

SCOTT ROGERS

It seems like only yesterday that I bought a bronze from my uncle, Grant Speed.  My love affair with bronze had begun. Six months later (in October of ’90) I came home from work, looked at that bronze and said, “I can do that”. I sought and continue to seek counsel at the hands of master teachers (i.e. studied with Fritz White CA, Stanley Bleifeld, Herb Mignery CA, Mehl Lawson CA and Grant Speed CA).

My desire is to use art as a vehicle to inspire mankind to see the beauty of life. Artists’ are prone to leave emotional fingerprints all over their work; hence, what you’ll be seeing, in a way are self-portraits. I love how shape, line and form communicate. Every line has a spirit and speaks volumes. Put a lump of clay in my hands and a short while later you’ll know exactly how I feel and physically see my soul. I am finding that the key to life is to develop eyes to see what is really ‘there’.

I love what I do. The feelings I portray about the ‘Old West’ I’ve had all my life. I remember fondly the hours spent as a youth reading of renegades, rebels, rogues, outlaws, wild men and horses, ferocity, passion, power, cunning, independence, honor, loneliness, fear, rage, courage and freedom. These words worked their way into my soul and now find expression through my fingers in clay. The ‘West’ was about men and women who had courage, who were part of something bigger than themselves. I find great pleasure in doing these people justice by creating a fair portrayal of their characters.

When beginning a piece, the first thing I do is isolate an emotion I know intimately. An emotion that pulls at my heart, one that makes me hold my breath, an emotion so strong it becomes overwhelming and is physically draining to experience. If the emotion doesn’t command my rapt attention it is quickly dismissed. In creating “a moment” I do it in such a way that you (the viewer) have no choice but to play an active part and put yourself in the scene as the character depicted or as a first hand witness.

I sculpt feelings and not reality. In fact, to me the words sculpture and feelings are synonymous. I love it when someone says, after viewing one of my pieces, “I can feel the bullet hitting him”; “I feel like I’m on the back of the bucking horse” or “I can hear the roar of the stampede”.

I know art uplifts the spirit, it makes one want to be better, to feel good about themselves and their fellow man, to reach out for that which is good in life. It’s my wish that you experience some of what I feel through my art.